Saturday, December 29, 2012

I love British fashion.

Alexa Chung. Cara Delevigne. Kate Moss.

I love them and their effortless 'I'm British, fuck you' smiles.

I've always loved British style. When I was young my mum used to dress me in woollen skivvies, short tartan skirts, white tights and buckled up flats. I'm a sucker for collars, mini skirts, button down coats, ankle boots, chunky knits, winter hats, wooly scarves and layers. Not convenient when you live in Australia.

This week British Vogue released their 'Best Dressed of 2012' list and my five favourites were there; the previously mentioned three plus Natalie Massenet and Emma Stone. Emma is American but she is also hilarious so she is an exception.

Special mention goes to Cara Delevigne who, after a quick Google search, appears to be 20 years old and from an extremely well-to-do family as well as being a gorgeous model - tough life. But she seems fun and especially cheeky so I like her. And her eyebrows. I don't enjoy deadpan models on the runway and she is the antidote. Thank you, Cara.

Natalie just flaws me. So successful and a mother. That's a big deal to me, because I'm a working mother too.

Anyway, I'm in holiday and there is another Pinot Grigio with my name on it. Ladies.

* Images care of vogue.co.uk










Tuesday, December 25, 2012

The best Christmas gifts ever.

An iPad and the book I wrote about below. Two copies actually. I'm a lucky girl! My friends and family know me well.

Merry Christmas x



Tuesday, December 18, 2012

Fashion Seasons Explained

This is absolutely something I feel I should know. Who shows what collection and when.

Now I actually live in Australia so the seasons down here (and in the rest of the Southern Hemisphere) are opposite to that of every fashion capital in the world, namely Paris, New York, London and Milan.

Keeping this in mind, here are the fashion seasons and in-store dates according to the Northern Hemisphere (give or take a few weeks).

January 
S/S Haute Couture Shows in Paris

February
S/S Ready-To-Wear collections in store

March
A/W Fashion Weeks in New York, London, Milan and Paris

April
Heads down, design caps on.

May
Pre-Fall collections in store

June
Resort/Cruise collection showings

July
A/W Haute Couture Shows in Paris

August
A/W Ready-To-Wear collections in store

September
S/S Fashion Weeks in New York, London, Milan and Paris

October
All quiet on the fashion front! Preparing for the next collection.

November
Resort/Cruise collections in store

December
Pre-Fall collection showings

There are a few things you should note when getting your head around the seasons.

1. The two big seasons are S/S and A/W. These collections are showcased at the major fashion weeks six months prior to when they appear in store for the benefit of Buyers and Fashion Press. Buyers need time purchase the pieces they would like to stock at their respective retailers and the brand needs time to produce this stock. Even with the immediacy of online media, traditional media including magazines like Vogue and Harper's Bazaar have long lead times (three to four months), so the Journalists and Editors at these publications need access to imagery from the fashion weeks to include in the editions due out two months prior to the upcoming season.

2. Some brands/fashion houses drop a collection in June, months after S/S collections hit stores. This is called 'High Summer'.

3. In 2011, Singapore played host to the first ever Haute Couture Shows outside of Paris.

4. Resort/Cruise collections were originally created to cater for the wealthy who travelled south, to warmer climates, during the cooler months.

5. Pre-Fall collections sell well but don't attract much hype from the press. They are made primarily for fashion-fanatics who don't like waiting six months for the next addition to their wardrobe.

6. You'll often see celebrities wearing pieces from collections that aren't yet in store. This is the beauty of PR. Publicists work with the brands to create hype surrounding the collections during the six month period between the runway shows and the in-store dates. Pop culture and celebrity work well with fashion.

7. In 1943, Fashion Publicist Eleanor Lambert launched the first ever New York Fashion Week, known as 'Press Week'. Prior to this the fashion press held little or no interest in American fashion because it was believed the designers drew all of their inspiration from Paris. Lambert launched the event because the press could not go to Paris due to the Second World War. To this day, the fashion weeks start in New York, continue in London and Milan and finish in Paris.

I've been clicking through as many Pre-Fall collections as I can get my hands on, have a peep at two looks I adore. I'm seeing a lot of leather - perhaps a hint of what we will see in March?

This is by Rachel Zoe. I'm a HUGE fan of a buttoned up white shirt and a mini dress. 
This piece is by Naeem Khan. I LOVE a voluminous full length skirt with pockets. The structure of this is so beautiful.  

*Images courtesy of style.com

Saturday, December 15, 2012

In Vogue: The Editor's Eye


Last week in New York (of course), Vogue premièred their documentary collaboration with HBO, In Vogue: The Editor's Eye. For the life of me I cannot find where to view it here in Australia, if anyone has a clue, holla at me!

In lieu of actually watching the film - which was launched to commemorate 120 years of the world's most famous fashion magazine - I have taken to watching every clip I can find on YouTube and reading every single review I can get my hands on.

Most go something like this:

'Brilliant to watch, very interesting. Genius minds at work. Fantasy, drama, creativity. What do Fashion Editors do exactly? Nothing and everything. The French stylist is nuts. BUT. This is clearly a puff piece. A film on Vogue, by Vogue. Tooting your own horn much? Vogue is a commercial business. Regular people can't afford those clothes! BUUUT then again this is Vogue, the best fashion magazine ever published so I guess it's justified.'

Amen,sister (or brother).

Obviously Vogue is packed full of ridiculously expensive pieces, most I will probably never be able to afford. But I don't care. I still love the magazine because I love looking at the imagery surrounding the clothes, created by the women featured in the film. It's beautiful and it would take a certain mind to make the fantasy come to life and then to jump off a page.

I don't care if it's 'self-indulgent' as one review called it. I work in fashion and lifestyle PR, I know how this industry works. So when I can finally figure out where to watch In Vogue: The Editor's Eye, I will probably love it.


*Image care of Vogue. 

Tuesday, December 11, 2012

Industry Profile: Natalie Massenet


Often when I read about people in fashion I'm blown away by how hard they have worked to become so successful. I find it so inspiring to discover that most industry icons come from humble beginnings - it makes them seem more real.

One women I really enjoy is Natalie Massenet, Founder and Executive Chairman of net-a-porter.com.

Born in LA in May of 1965, Massenet is the daughter of an American Journalist and a Chanel model. After spending her early years living in Paris and Madrid, Massenet moved back to LA aged 11 to live with her father after her parents divorced, where she attended a private school her father could only just afford to send her to.

A Journalist herself, Massenet began her career in fashion at Women's Wear Daily where she was a Fashion Editor. Later she worked for Tatler in London where she came up with the idea for net-a-porter.com.

"I couldn't believe you could be sitting in your apartment in London and be clicking on a Victorian jacket in Wisconsin, and that someone in Wisconsin could send it to you!", she told British Vogue. 

Net-a-Porter was launched in June of 2000 from Massenet's Chelsea apartment where she and 15 staff members waited in bedrooms packed full of designer fashion. (Can you imagine what they must have felt when the first sale came through? I'd be doing my happy dance and popping the bubbly.)

It was the first online store to sell luxury clothes for women - revolutionary, considering women before this had only ever purchased clothing they had seen and felt in person.

Net-a-Porter didn't turn a profit until 2004 when Massenet accepted the 'Best Shop' award at the British Fashion Awards. Later that same year the online store also won the UK Fashion Export Award for Best E-Tailer.

In 2010 Massenet sold the company for £350 million to Swiss luxury goods conglomerate Richemont.

Massenet remains the Executive Chairman at net-a-porter.com where she manages over 600 staff world wide. The website attracts more than two million hits a month with an average spend of £500.

Thank YOU Natalie Massenet for making the shopping experience for people like me who don't enjoy shopping in-store more enjoyable. I love clothes shopping online. You are the reason fashion is so accessible. 


*Image courtesy of UK Glamour Online

Monday, December 10, 2012

Grace: A Memoir

Ever since watching The September Issue 50,000 times I have become obsessed with Grace Coddington - American Vogue's long-time Creative Director and former Vogue model. The raven-haired Anglesey-born fashion icon has been referred to as the 'greatest living stylist'.

If you Google her, thousands of images will pop up as will hundreds of blog posts and articles. Grace is Vogue.

Grace: A Memoir is her latest book. I hope Father Christmas is kind to me this year.

Paris-Édimbourg Métiers d'Art 2012/13 Show

One fashion house I really adore is Chanel. I can easily spend a lot of time flicking through images of models strutting in Mr Largerfeld's latest creations. I'm a huge fan of lace, structured pieces, collars, white shirts, wintery skirts and stockings. All of these things appeared on the square-shaped, open aired runway at last week's Paris-Édimbourg Métiers d'Art 2012/13 show at Edinburgh's Linlithgow Palace.

I love the look of the collection, it's so inherently Scottish!

Fashion Writer Christina Lindsey-Miller who I met on social media (no really, I did!), is a Scotland-based freelancer for publications like Grazia Daily and British Vogue. She told me that it was "wonderful that Chanel supports textiles industry in Scotland".

Tim Blanks from style.com says that Chanel's Scottish aesthetic was influenced by Coco's time living in Scotland with her lover, the Duke of Westminster.

With tartan and tweed steeling the show, Largerfeld told Blanks the collection was 'dressed to kilt'. Hilarious.

Linlithgow Palace is the birthplace of Mary, Queen of Scots.

Have a peep at some of my favourite looks below. Oh-so-Chanel. Amazing.



*Images are from the Chanel iPhone application